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As forthemusic03 expressed in a seperate post, "Scare Easy" reminded them of "I Won't Back Down". While I feel it's more like "Refugee", it reminded me of a simliar observation I got from listening to the Mudcrutch disc...

Call me crazy, but "The Wrong Thing To Do" reminds me SO much of "Love Is Strong" from the Rolling Stones "Voodoo Lounge" disc. I'm not complaining or pointing fingers or calling for lawyers, just sharing one 6-string slinger's opinion! Cool


 
Posts: 29 | Registered: June 19, 2006Reply With QuoteEdit or Delete MessageReport This Post
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Subconscious plagiarism? ahaSmile (George Harrison)

In any case, there are only so many notes on the reichter scale of music. Some songs will overlap with the similar notes. There are just not enough combinations of notes to go around, anymore. Everything's been covered. Smile


 
Posts: 10439 | Registered: May 08, 2007Reply With QuoteEdit or Delete MessageReport This Post
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From a 30 plus year career, of course its hard to find new chords.

However, the young know how to be different.

I am not knocking TP, he is my favorite but I am just pointing out a FACT!

How can Petty be different after 30 years of music with the same musicians!

This is why we love PETTY,,,, FOR HIS STYLE!

Cheers and bad thread!
 
Posts: 1085 | Registered: March 29, 2007Reply With QuoteEdit or Delete MessageReport This Post
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Fact is 'the young' get their inspiration from the more 'seasoned' professionals. They don't come up with anything "new". It's just a derivative of a derivative of a derivative.


 
Posts: 10439 | Registered: May 08, 2007Reply With QuoteEdit or Delete MessageReport This Post
The Best of Everything
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quote:
Originally posted by slibilon:
In any case, there are only so many notes on the reichter scale of music.


Say what?? Reichter scale of Music? Huh????


- - - - - - - - - - - - - - - - -
Oh, I await the day
Good fortune comes our way
And we'll ride down the king's highway
 
Posts: 4437 | Location: Earth | Registered: October 03, 2002Reply With QuoteEdit or Delete MessageReport This Post
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Here's another one:

I was working along this morning listening to a shuffled set of tunes, when this Dixie Chicks song came on:
http://www.youtube.com/watch?v=0ym_pRR3A40

I did a double take. Does this sound familiar to anyone else?


*********************************************************************
"I just try to be responsible to a gift I've been given."~~Tom Petty
 
Posts: 262 | Location: Lake Wobegon transplant to Smoky Mountains, NC | Registered: February 17, 2008Reply With QuoteEdit or Delete MessageReport This Post
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^ Wow! You're not kidding, Dr. J!


~ keep on rockin' in the free world ~
 
Posts: 618 | Location: by the San Diego sea... | Registered: February 14, 2007Reply With QuoteEdit or Delete MessageReport This Post
Baby Doll
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Accidental Inspiration, no Mike wrote the song with different lyrics and played it in Long Beach, CA some years back with The Dirty Knobs. "You can definitely hear Mike Campbell (Tom Petty and the Heartbreakers) in it. Campbell also worked on “Lubbock or Leave It.” Mudcrutch, Tom Petty’s original band involving Campbell, recently redid the song for their album of the same name. The music is the same, but the lyrics are different. It’s called “Bootleg Flyer.”, excerpt from "Country Universe".

Hey, Dr. J.... Smile


Cathee
"Oh my, my, oh **** yes, you got to put on that party dress."

"Live music...offers evidence of music's forgotten powers to heal and unite." ~ Phil Lesh
 
Posts: 7044 | Location: Woodstock | Registered: November 05, 2003Reply With QuoteEdit or Delete MessageReport This Post
Baby Doll
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Me BAD, me bad-bad-bad....TDK's song was "Ticket Home" and don't remember any lyrics just Mike and Jason's whiling (sp?) guitars rolling down the line (tracks). So 'Accidental Inspiration' NO way but an inspirational Mike Campbell comes to mind. Cool


Cathee
"Oh my, my, oh **** yes, you got to put on that party dress."

"Live music...offers evidence of music's forgotten powers to heal and unite." ~ Phil Lesh
 
Posts: 7044 | Location: Woodstock | Registered: November 05, 2003Reply With QuoteEdit or Delete MessageReport This Post
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^^ Hey, Cathee! Smile

It is still hard to tell from that Country Universe post who actually wrote the song in the first place. I found a website that gives Tom Petty and Mike Campbell as the composers for "Bootleg Flyer," but I can't find a composer listed for "Live Wire." Boy, I don't think I have ever heard two songs sound more similar!


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"I just try to be responsible to a gift I've been given."~~Tom Petty
 
Posts: 262 | Location: Lake Wobegon transplant to Smoky Mountains, NC | Registered: February 17, 2008Reply With QuoteEdit or Delete MessageReport This Post
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Bootleg Flyer, formally known as Ticket Home, should be listed as written by Mike Campbell with new lyrics by Tom Petty.

Same with Can't Stop The Sun, formally known as Can't Stop The World.
 
Posts: 11147 | Location: CA | Registered: October 01, 2002Reply With QuoteEdit or Delete MessageReport This Post
Baby Doll
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Thanks for the clarification, Ref.


Cathee
"Oh my, my, oh **** yes, you got to put on that party dress."

"Live music...offers evidence of music's forgotten powers to heal and unite." ~ Phil Lesh
 
Posts: 7044 | Location: Woodstock | Registered: November 05, 2003Reply With QuoteEdit or Delete MessageReport This Post
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Concept seemed to be right from Stephen Stills. Trying to recall his song which is so close in lyrical content. ("Bush Pilot"? Something that sounds like that?)

Had to smile today. Two rockers are suing another group (Cold Play is involved...) because of plagerism. Some of the testimony is so "human". One guy says that he's been violated, but admits that when he is composing, sometimes he'll recompose the same song he did months earlier, fully unaware until he stops and thinks about it. And maybe what was thought to be plagarism is actually "influences". And there is no clear distinction between the two terms. You have gotta love music fights. Afterall...isn't that what it's all about?
 
Posts: 9046 | Location: Maine, USA | Registered: October 02, 2002Reply With QuoteEdit or Delete MessageReport This Post
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quote:
You have gotta love music fights. Afterall...isn't that what it's all about?


Good God! It'd better not be.

The song was Tree Top Flyer, Bluegill. I was thinking about that myself.







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Blues is the roots, everything else is the fruits (Bo Diddley)
 
Posts: 19750 | Location: Colorado | Registered: July 11, 2005Reply With QuoteEdit or Delete MessageReport This Post
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**

quote:
And maybe what was thought to be plagarism is actually "influences". And there is no clear distinction between the two terms. You have gotta love music fights. Afterall...isn't that what it's all about?


In musical life, plagiarism of/by an artist is outright copy and theft, whether conscience or not. To give or receive influence to/from an artist is an accumulation of data over time which affects the current players musical style. It's not a fine line. It's black and white.

But in the musical world, chords can not be copyright. Melodies can.

**
 
Posts: 939 | Registered: August 16, 2005Reply With QuoteEdit or Delete MessageReport This Post
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All of art is really building on what others have done before. If you listen to Tom Petty enough, you can hear the influences like the Byrds and Beatles, how his singing style takes a nod from Dylan, the ZZ Top-like opening to Saving Grace as just a few examples.
No doubt if we listened enough to bands today, we'd hear the "Petty" influence on them.
What makes an artist special isn't that he has no influences but rather that he takes them and makes them into something different altogether.
Plagarism is as LC said, copying a melody or parts of one. It would easy to do even if you had no intention of doing it. There's only so many chord combinations that work in rock music and because of that it's easy to fall into someone else's pattern. When I'd play stuff that I wrote, I'd have people coming up to me all the time trying to figure out who did the song. It was funny, they'd insist they'd heard it before and didn't believe me when I told them I wrote it. All it was, was that I was following a well worn chord progression that sounded similar to lots of things, giving the songs a familar feel.
I think that's the toughest thing to do as a songwriter, to make the same old progressions sound unique to you.


I'm at the age now where if someone says they have acid, I assume they're talking about reflux.
 
Posts: 522 | Registered: November 27, 2007Reply With QuoteEdit or Delete MessageReport This Post
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